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Solos & Duos (2pk) High Quality

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SKU: SK0195202-US20260105-083122 Category: Tag:
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DISC: 1

1. Sonata No. 1 for Solo Violin~I
2. Sonata No. 1 for Solo Violin~II
3. Sonata No. 1 for Solo Violin~III
4. Three Sonatas for Solo Clarinet~Sonata No. 1: I.
5. Three Sonatas for Solo Clarinet~Sonata No. 1: II.
6. Three Sonatas for Solo Clarinet~Sonata No. 2: I.
7. Three Sonatas for Solo Clarinet~Sonata No. 2: II.
8. Three Sonatas for Solo Clarinet~Sonata No. 3: I.
9. Three Sonatas for Solo Clarinet~Sonata No. 3: II.
10. Three Sonatas for Solo Clarinet~Sonata No. 3: III.
11. Sonata for Cello and Piano~I. Cadenza
12. Sonata for Cello and Piano~II. Allegro
13. Sonata for Cello and Piano~III. Variations
14. Sonata for Cello and Piano~IV.
15. Monody II for Double Bass
16. Bassoon Music
17. Nine Bagatelles~No. 1
18. Nine Bagatelles~No. 2
19. Nine Bagatelles~No. 3
20. Nine Bagatelles~No. 4
21. Nine Bagatelles~No. 5
22. Nine Bagatelles~No. 6
23. Nine Bagatelles~No. 7
24. Nine Bagatelles~No. 8
25. Nine Bagatelles~No. 9
26. Hebrew Melodies~I. Psalm 93
27. Hebrew Melodies~II. Cantillation
28. Musical Offerings~I.
29. Musical Offerings~II.
30. Musical Offerings~III.
31. Sonata quasi una fantasia
32. Sonata for Solo Cello~I.
33. Sonata for Solo Cello~II.
34. Sonata for Solo Cello~III.
35. Lyric Piece for Cello and Piano
36. Three Inventions for Solo Bassoon~I.
37. Three Inventions for Solo Bassoon~II.
38. Three Inventions for Solo Bassoon~III.
39. Solo Partita~Sarabande
40. Ballade

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Among the most remarkable milestones of Perle’s compositional journey are a dozen works for solo instruments, “tone-centered” compositions – to adopt Richard Swift’s terminology – that occupy a middle ground between essays in orthodox twelve-tone practice and his own 12-tone modal system. It was easier, Perle recalled, “to approach this problem of harmony if you’re writing for an instrument which naturally plays only one note at a time.” Moreover, working with such radically reduced means honed his ability to use motive, contour, rhythm, and register to articulate form through a single line. The first of these was composed in 1942, with another eleven written across a distinguished career. This two-album set includes many of the solo works in their first recordings, as well as duo works from throughout the great American composer’s career. Noted soloists on this release include pianists Leon Fleisher, Richard Goode, and Horacio Gutiérrez, clarinetist Charles Neidich, and cellist Jay Campbell.