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Sensitive Style for Flute New Arrival
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Sensitive Style for Flute New Arrival

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SKU: SK0197808-US20260105-083122 Category: Tag:
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1. Flute Sonata In F Major, Op. 6 No. 5, Wk 127: I. Adagio
2. Flute Sonata In F Major, Op. 6 No. 5, Wk 127: II. Allegro
3. Flute Sonata In F Major, Op. 6 No. 5, Wk 127: III. Vivace
4. Adagio For Flute In C Major, Qv 1:7
5. Bachus Und Venus, H. 698, Wq. 202d "Amor Ist Mein Lied" (Arr. L. Dean & A. Lawrence-King For Flute & Harp)
6. Flute Sonata In E Minor, L3.57: I. Largo, Mà Un Poco Andante
7. Flute Sonata In E Minor, L3.57: II. Arioso, Un Poco Allegro
8. Flute Sonata In E Minor, L3.57: III. Presto
9. Flute Fantasia No. 6 In D Minor, Twv 40:7: I. Dolce
10. Flute Fantasia No. 6 In D Minor, Twv 40:7: II. Allegro
11. Flute Fantasia No. 6 In D Minor, Twv 40:7: III. Spirituoso
12. Flute Sonata In G Major, Lorb 642.B: I. Allegro Moderato
13. Flute Sonata In G Major, Lorb 642.B: II. Andantino
14. Flute Sonata In G Major, Lorb 642.B: III. Allegro Moderato
15. Komm Gott Schöpfer Heilger Geist, Engk 209 (Arr. For Flute & Basso Continuo)
16. Flute Sonata In D Major: I. Adagio
17. Flute Sonata In D Major: II. Allegro Ma Non Troppo
18. Flute Sonata In D Major: III. Cantabile
19. Flute Sonata In E-Flat Major, Bwv 1031: II. Siciliano

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The Empfindsam or “sentimental” style of music embodied by Carl Philipp Emanuel Bach and his contemporaries was a direct response to the most modern literary in Germany and intellectual currents of their time. It developed with the rise of the middle class in the later eighteenth century and it’s hallmarks are subjective feelings, extreme displays of emotion and the triumph of feeling over reason. The use of harp on this recording is unprecedented, but upon reflection directly in keeping with the tendencies of the age. The subtleties of dynamics and articulation possible on this instrument make it an ideal companion to the transverse flute; together this instrumental duo is excellently suited to the expressive needs of the “Empfindsamer Stil”.

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