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Seasonal Sale Ariette & Lieder & Cavatine

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SKU: SK0435820-US20260105-083122 Category: Tag:
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1. Sei Ariette di Metastasio, Op. 95~No.
2. Ombre amene
3. Sei Ariette di Metastasio, Op. 95~No. 2 Fra tutte le pene
4. Sei Ariette di Metastasio, Op. 95~No. 3 Quando sarà quel di
5. Sei Ariette di Metastasio, Op. 95~No. 4 Le dimore amor non ama
6. Sei Ariette di Metastasio, Op. 95~No. 5 Ad altro Iaccio
7. Sei Ariette di Metastasio, Op. 95~No. 6 Di due bell’anime
8. Sechs Lieder, Op. 89~No. 1 Abschied
9. Sechs Lieder, Op. 89~No. 2 Lied aus der Ferne
10. Sechs Lieder, Op. 89~No. 3 Abschied
11. Sechs Lieder, Op. 89~No. 4 Lied
12. Sechs Lieder, Op. 89~No. 5 Ständchen
13. Sechs Lieder, Op. 89~No. 6 An das Schicksal
14. Sei Cavatine , Op. 39~No. 1 Par che di giubilo l’alma deliri
15. Sei Cavatine , Op. 39~No. 2 Confuso, smarrito
16. Sei Cavatine , Op. 39~No. 3 Alle mie tante lagrime
17. Sei Cavatine , Op. 39~No. 4 Ah! Non dir che non t’adoro
18. Sei Cavatine , Op. 39~No. 5 Ch’io sent’amor per femine
19. Sei Cavatine , Op. 39~No. 6 Già presso al termine

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Mauro Giuliani was known throughout the music world as the “Mozart of the guitar”. The vocal works recorded on this recording testify to Giuliani’s preference for Italian songs. Especially in the Sei Ariette or “Little Arias”, a more modest form of the opera aria, the resemblance to the Italian bel canto aria is unmistakable. The selection presented here was published in 1818 in Vienna. In contrast to this, Giuliani’s Sechs Lieder, or “Six Songs”, with their German texts by Goethe, Schiller, Matthisson and others, are clearly more similar to Schubert’s Lieder. Published in 1817 in Vienna, these songs bear witness to the birth of the Viennese Biedermeier period. Finally, the Sei Cavatine consist of six Italian arias, in which Giuliani contrasts skillfully brilliant pieces with sensitive melancholic ones, and this in a clearly opera-like format.

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