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DISC: 1

1. Étude De Moscheles
2. Estudios De Concierto (Excerpts): No. 1, Preludio Trágico
3. Estudios De Concierto (Excerpts): No. 3, Hacia La Cima
4. Estudios De Concierto (Excerpts): No. 6, Alma En Primavera
5. Estudios De Concierto (Excerpts): No. 7, Juventud
6. Estudios De Concierto (Excerpts): No. 8, Preludio Galante
7. Estudios De Concierto (Excerpts): No. 10, Jarabe
8. Estudios De Concierto (Excerpts): No. 12, La Vida Sonríe
9. 20 Piezas Fáciles: No. 1, Canción De Los Tamales
10. 20 Piezas Fáciles: No. 2, Danza Yaqui
11. 20 Piezas Fáciles: No. 3, Los Xtoles
12. 20 Piezas Fáciles: No. 4, Danza De La Lluvia
13. 20 Piezas Fáciles: No. 5, Canción De La Lluvia
14. 20 Piezas Fáciles: No. 6, Danza De Los Tecuanes
15. 20 Piezas Fáciles: No. 7, Canción Campesina
16. 20 Piezas Fáciles: No. 8, Cielito Lindo
17. 20 Piezas Fáciles: No. 9, Las Mañanitas
18. 20 Piezas Fáciles: No. 10, Yo No Sé Que Decir
19. 20 Piezas Fáciles: No. 11, La Pasadita
20. 20 Piezas Fáciles: No. 12, La Sandunga
21. 20 Piezas Fáciles: No. 13, Ven, ¡oh, Luna!
22. 20 Piezas Fáciles: No. 14, Homenaje A Villanueva
23. 20 Piezas Fáciles: No. 15, Arrullo Popular
24. 20 Piezas Fáciles: No. 16, La Posada
25. 20 Piezas Fáciles: No. 17, La Revolución
26. 20 Piezas Fáciles: No. 18, La Cucaracha
27. 20 Piezas Fáciles: No. 19, Primavera
28. 20 Piezas Fáciles: No. 20, La Patria
29. Vespertina For Piano
30. Mayo
31. Mazurka No. 19 In C-Sharp Minor For Piano
32. Mazurka No. 23 In A Minor For Piano
33. Bersagliera

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Not only was Manuel Ponce the leading figure in the emergence of Mexican nationalism but his music embodies a wide variety of influences. Nowhere is this more evident than in his writing for solo piano, and this album, the third of eight volumes, explores three specific facets. The first is his youthful concert studies, which are virtuosic, atmospheric and memorably evocative. The second, the Veinte piezas fáciles (‘Twenty Easy Pieces’), consist of ingenious pianistic adaptations of Mexican folk songs and dances, some indigenous. The third element is his personalized use of Romanticism in the form of mazurkas, character pieces and the dazzling Bersagliera. Alvaro Cendoya continues his acclaimed cycle dedicated to the complete piano music of Manuel Ponce.

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